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Home » art history

Princeton University Art Museum needs your help to identify this town in Italy

Lia Markey from Princeton University Art Museum has asked for the help of ArtTrav readers in identifying the town represented in this seventeenth-century drawing in their collection.

Cantagallina, Scene in a Village Square with a Church, Princeton University Art Museum

Here is what Lia is able to tell us about the work:

The drawing is a typical work by the etcher and draughtsman Remigio Cantagallina (1582-1656), who produced numerous landscape drawings throughout his career. I personally love the way he inserts people in his city views and landscapes. There is almost always at least some person seated and seen from the back that seems to reference us as the viewer and creates a vantage point for the scene before us.

He was born in San Sepulcro (Sansepolcro) and this view reminds me of towns around Arezzo, and could even be his home town.

Cantagallina’s work was greatly influenced by northern printmakers like Paul Brill and in fact, the artist traveled to the Netherlands in 1612-13.  Many of Cantagallina’s drawings are composed of tight hatching recalling the work of his northern colleagues and reminding us of his print production. This work is particularly striking for its dramatic use of wash that creates chiaroscuro affects.

The Princeton sheet is dated on the wall at left next to the tree: “6 di luglio 1633.” He inscribed the date on many of his drawings indicating that they might have acted as a type of personal journal. For this reason we believe that the places represented are accurate reflections of what they looked like at the time, so the town in this drawing ought to be identifiable.

detail of church

Detail of piazza with ruined building that likely is no longer

We need to take into account that the piazza represented here may have changed over time, though the church is a likely landmark. There may be newer buildings nearby and the angle from which the drawing was made may no longer be a viable approach to the space, making it hard to identify. Lia and her colleagues hope that readers who live in the area might recognize the church, piazza and town. Please help by commenting below!

Photo used with permission, full details: Remigio Cantagallina, Italian, 1582 ‑ after 1633. Scene in a Village Square with a Church in the Center Middle Ground, Pen and iron gall ink and brush and brown wash over black chalk, 24.8 x 39.1 cm (9 3/4 x 15 3/8 in.). Princeton University Art Museum. Museum purchase, Laura P. Hall Memorial Fund x1956‑32. Photo: Bruce M. White

 

By on March 6, 2012 – 9:58 pm3 Comments

  • http://twitter.com/3pipenet three pipe problem

    Interesting! I wonder about the provenance of this piece. I know of at least two sketchbooks attributed to Remigio – one of which was broken up in a sale in 1954 and another of which is in the Musees Royeaux des Beaux Arts in Brussells. In addition, I’m curious to know if Professor Claudia Lazzaro is involved – also at Princeton she has contributed to many exhibition catalogues on Early Modern drawings. Hints of ruined buildings seemed to re-occur in his works, one can also be seen in a “A street scene in Tuscany” at the Ashmolean – though  it has a much earlier date than this piece.

    Good luck in your search Lia :)
    H

  • www.judith-harris.com

    You have probably resolved this long since but is there any record of his visiting Orvieto? There is a street in Orvieto with to the R a tower and to L an old market with arches. The church in the distance could be Orvieto’s San Giovenale, seen from behind – the form of bell tower and roof are right. (But then all the Tuscan churches had that shape….)

  • http://www.arttrav.com arttrav

    Thank you Judith, the question is STILL OPEN! I’ll forward your suggestion to the team.
    Alexandra