| Monument |
Comments |
Tourist
information |
| Mausoleum
of Constantia***



|
Built
by Costantia, the daughter of Constantine, in 337-54. Her big porphyry
sarcophagus, now in the Vatican museums, was located in a niche here and
is now replaced by an ugly copy. The circular building has a donut of
mosaics with a distinctly pagan character. They are decorative rather
than figurative, alternating geometric with vine motifs populated by elongated
and somewhat awkward putti. The two bays closest to Constantia's sarcophagus
are more detailed, with exotic animals, mirrors, and a greater use of
coloured tesserae.
My guidebook wrongly
said that this was open monday morning, so i was sadly surprised to find
it closed. I stopped by the parish office to chat up the priest, never
asking him directly to open it... and he just offered to unlock it and
asked me to close it when i left. He said there had been theives so they
didn't leave it open any more - how sad. It was fabulous to have the mausoleum
mostly to myself (i let in a few german tourists), though i suspect that
it is never all that crowded because it's pretty far off the beaten track.
It is however worth the trip (which is not that arduous because the express
bus is very... express) to see how these very early christian mosaics
retain pagan motifs and style but take on christian function. |
Nomentana
(exp bus #60)
Open Tues-Sat 9-12 and 16-18 |
|
Sant'Agnese
Fuori le Mura

|
In the
same complex as Santa Costantia, it is worth taking a look at this peaceful
little basilica, which has an apse mosaic and a matroneum dating
to the 7th century. There are catacombs (entered in the first bay on the
left) but these were closed when I visited. |
As above,
next to Santa Costantia |
|
San
clemente***

|
While
this church's present architectural form dates to 1108, there are two
lower levels dating from the 9th and 1st centuries!
First you can admire
the rather coherant medieval whole of this basilican plan church, with
a fabulous Cosmatesque floor (=inlaid marble work) and choir area, and
a resplendant mosaic representing christ as the tree of life. Look closely
or with binoculars and you will see some very cute animals at the bottom
of this tree.
Through the sacristy
on the right you can enter the lower churches. The first level below ground
contains some 9th century frescoes though you can't see much due to restoration
and condition. Try to orient yourself so that you can take in the basilican
plan that was already present at this level.
It is then possible
to go down a further level, into a series of Roman spaces (unclear if
these were domestic spaces?). Here it is easy to get lost and not of any
particular artistic note. |
9-12.30;
15-18
$$ for lower church
located near colosseum |
|
| San
Giovanni in Laterano

|
The
present state of the church of San Giovanni in Laterano is, in my respectful
opinion, downright ugly. There are some gargantuan statues of heavy apostles
and a generally overly-liberal use of stucco. Of particular note in terms
of terribleness are the flowery stucco frames in the apse and the palm
encrusted pillars.
The cloister contains
some fabulous Cosmatesque columns that are inlaid with mosaic. Twisted
columns like these are always a reference to the temple of Solomon. I
hoped to get closer to them but they are chained off. |
2E for
the cloister, but it's worth it. |
|
Santa
maria maggiore
|
The aristocratic
mosaic program, the first known to evoke antiquity through costume, dates
to 430 and is an early example of visual narrative. It decorates the nave
and apse and are signed by Jacopo Torriti. The other apse decorations are
unfortunately 17th century, which, as in so many instances in Rome, disrupts
the original harmony that must have characterized the basilica. This church
was important during the lage Renaissance, when two opulent chapels were
made for popes Sixtus V and Paul IV. |
Piazza
dell’esquilino; obelisk set up in 1587 right in front. Not far from
termini.Open 7am-18 |
|
| Santa
Prassede

|
My
textbook, because of an amusing but grave grammatical error, implies that
Santa Prassede was killed with a sponge, which of course is not true,
but now I'll never forget it. The statue in the photo shows her with the
blood-soaked sponge with which she wiped up the blood of other martyrs
before becoming one herself.
Entry to this church is through an unassuming side entrance flanked as
usual by beggars. As usual, i walked to the far end of the nave to get
a complete look. The apse and triumphal arch are covered in very fine
9th century mosaics, while the chapel of St. Zenone, on the right, is
slightly later (the detail photo shows the largish tesserae in this chapel).
The mosaics are worth looking at with binoculars.
The church was unfortunately rather crowded with large groups, so it was
hard to full appreciate it. Furthermore, the mosaics are illuminated by
a coin-op machine which means the lights aren't always on, and if you're
out of 50c pieces, you're out of luck! |
regular
church hours
This church, along
with Santa Prassede, is discussed in this scholarly book: Rome
1300: On the Path of the Pilgrim |
|
Santa
Maria in Trastevere

|
In the
central piazza of Trastevere (where there is an excellent fountain by which
to sit and eat a picnic) is this church with fantastic 13th-century (check
date) mosaics. |
|
|
| San
Paolo Fuori le Mura |
This is a very large
and historically significant church, one of four patriarchal basilicae. While
of medieval origin and still retaining the 4th century (?) plan, this church
was rebuilt in the 19th century after a fire, and is very ugly. The 13th-c
mosaic in the apse is highly restored, though there is a tabernacle by Arnolfo
di Cambio (13th century) and some mosaic remains by Pietro Cavallini on
the triumphal arch. |
Outside
Porta san paolo (Ostiense)
7-18:30; cloister
9-13 and 15-18 |