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Highlights of Medieval Rome
Monument
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Tourist information

 Mausoleum of Constantia***

Built by Costantia, the daughter of Constantine, in 337-54. Her big porphyry sarcophagus, now in the Vatican museums, was located in a niche here and is now replaced by an ugly copy. The circular building has a donut of mosaics with a distinctly pagan character. They are decorative rather than figurative, alternating geometric with vine motifs populated by elongated and somewhat awkward putti. The two bays closest to Constantia's sarcophagus are more detailed, with exotic animals, mirrors, and a greater use of coloured tesserae.
My guidebook wrongly said that this was open monday morning, so i was sadly surprised to find it closed. I stopped by the parish office to chat up the priest, never asking him directly to open it... and he just offered to unlock it and asked me to close it when i left. He said there had been theives so they didn't leave it open any more - how sad. It was fabulous to have the mausoleum mostly to myself (i let in a few german tourists), though i suspect that it is never all that crowded because it's pretty far off the beaten track. It is however worth the trip (which is not that arduous because the express bus is very... express) to see how these very early christian mosaics retain pagan motifs and style but take on christian function.

Nomentana (exp bus #60)
Open Tues-Sat 9-12 and 16-18


Sant'Agnese Fuori le Mura

In the same complex as Santa Costantia, it is worth taking a look at this peaceful little basilica, which has an apse mosaic and a matroneum dating to the 7th century. There are catacombs (entered in the first bay on the left) but these were closed when I visited. As above, next to Santa Costantia

San clemente***

 While this church's present architectural form dates to 1108, there are two lower levels dating from the 9th and 1st centuries!

First you can admire the rather coherant medieval whole of this basilican plan church, with a fabulous Cosmatesque floor (=inlaid marble work) and choir area, and a resplendant mosaic representing christ as the tree of life. Look closely or with binoculars and you will see some very cute animals at the bottom of this tree.

Through the sacristy on the right you can enter the lower churches. The first level below ground contains some 9th century frescoes though you can't see much due to restoration and condition. Try to orient yourself so that you can take in the basilican plan that was already present at this level.

It is then possible to go down a further level, into a series of Roman spaces (unclear if these were domestic spaces?). Here it is easy to get lost and not of any particular artistic note.

 9-12.30; 15-18

$$ for lower church

located near colosseum


San Giovanni in Laterano

The present state of the church of San Giovanni in Laterano is, in my respectful opinion, downright ugly. There are some gargantuan statues of heavy apostles and a generally overly-liberal use of stucco. Of particular note in terms of terribleness are the flowery stucco frames in the apse and the palm encrusted pillars.

The cloister contains some fabulous Cosmatesque columns that are inlaid with mosaic. Twisted columns like these are always a reference to the temple of Solomon. I hoped to get closer to them but they are chained off.

2E for the cloister, but it's worth it.

Santa maria maggiore

The aristocratic mosaic program, the first known to evoke antiquity through costume, dates to 430 and is an early example of visual narrative. It decorates the nave and apse and are signed by Jacopo Torriti. The other apse decorations are unfortunately 17th century, which, as in so many instances in Rome, disrupts the original harmony that must have characterized the basilica. This church was important during the lage Renaissance, when two opulent chapels were made for popes Sixtus V and Paul IV. Piazza dell’esquilino; obelisk set up in 1587 right in front. Not far from termini.Open 7am-18

Santa Prassede

 

My textbook, because of an amusing but grave grammatical error, implies that Santa Prassede was killed with a sponge, which of course is not true, but now I'll never forget it. The statue in the photo shows her with the blood-soaked sponge with which she wiped up the blood of other martyrs before becoming one herself.
Entry to this church is through an unassuming side entrance flanked as usual by beggars. As usual, i walked to the far end of the nave to get a complete look. The apse and triumphal arch are covered in very fine 9th century mosaics, while the chapel of St. Zenone, on the right, is slightly later (the detail photo shows the largish tesserae in this chapel). The mosaics are worth looking at with binoculars.
The church was unfortunately rather crowded with large groups, so it was hard to full appreciate it. Furthermore, the mosaics are illuminated by a coin-op machine which means the lights aren't always on, and if you're out of 50c pieces, you're out of luck!

 regular church hours

This church, along with Santa Prassede, is discussed in this scholarly book: Rome 1300: On the Path of the Pilgrim


Santa Maria in Trastevere

In the central piazza of Trastevere (where there is an excellent fountain by which to sit and eat a picnic) is this church with fantastic 13th-century (check date) mosaics.  

San Paolo Fuori le Mura This is a very large and historically significant church, one of four patriarchal basilicae. While of medieval origin and still retaining the 4th century (?) plan, this church was rebuilt in the 19th century after a fire, and is very ugly. The 13th-c mosaic in the apse is highly restored, though there is a tabernacle by Arnolfo di Cambio (13th century) and some mosaic remains by Pietro Cavallini on the triumphal arch.

Outside Porta san paolo (Ostiense)

7-18:30; cloister 9-13 and 15-18

 


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